Beckmann
transitioned from Expressionism to
Post-Expressionism when he moved to
Dangast on the North Sea. in 1923. He
studied Mixed Tempera Techniques with Otto
Dix in Dresden from 1925 to 1928. His
landscapes are known for their exquisite
detail and strange atmosphere. They were
influenced by the German Romantics,
particularly Caspar David Friedrick.
Radziwill said "Reality represents the
greatest miracle imaginable."
Stilleben
mit einer Blechdose auf Tischecke (1925)
Self
Portrait with White Cap (1924)
Grosses
Stilleben mit rotem Tuch (1952)
Der Wasserturm in Bremen
(1932)
Zwei
Frauen auf dem Balkon (1923)
Hinterhauser in Dresden (1931)
Kirche in
Zetel (1930)
Floodgate
near Petershoern (1927)
Alter
Friedhof vor der Werft (1954)
Harbour with
the Cap Popilonia and a Sailor in Yellow (1921)
