Monograffi - The Uncanny

Monograffi Fine Art Galleries
~ The Uncanny ~

The uncanny was often used to create Magic Realism. It could be manifested in either of two ways. The first was the introduction of unexpected juxtapositions. The second was the revelation of something unpleasant.


	Renaissance (1929) by Carl Grossberg		Maschinensaal (1925) by Carl Grossberg		Traumbild Rotor (1927 ) by Carl Grossberg


Danger on the Stairs (1928) by Pierre Roy	Lelia Caetani (1935) by Balthus	Interior with Lion I (detail, 1929) by Pyke Koch


	Breakup (1994) by Andrew Wyeth		The Lady and the Shoeshine Boy (1968) by John Wilde		Dr. Haustein (1928) by Christian Schad


	La Fenetre (1933) by Balthus		Highway (1953) by George Tooker		Cornice (1949) by George Tooker


	Toilette (1962) by George Tooker		Mirror III (c1970-71) by George Tooker		The Watchers (1971) by George Tooker


	Magia - Magic (1928 ) by Carlo Sbisà		Self Portrait (1936) by Cesare Sofianopulo		Il palombaro the diver (1931) by Carlo Sbisà


	Horse and Train (1954) by Alex Colville		Vision - Steam Boiler with Bat (1928) by Carl Grossberg


	Lamas on Terrace (1954) by Carel Willink		Sleeping Zebra (1959) by Carel Willink


	Expectation (1935-36) by Richard Oelze		Terrace with Hercules (1940) by Carel Willink


	A Fair between Amusement and Death (1940) by Maryan Zurek		Approaching Storm (1938) by Robert P. Archer


	Business (1959-61) by Jared French		State Park (1946) by Jared French


	Die Polizei (1929) by Richard Zeigler		Still Life with Kumquats (1960) by John Wilde


The Bride (1950) by Henry Koerner	The Arcade (1950) by Henry Koerner	Portrait of D (1988) by John Wilde


	The Marabous (1962) by Carel Willink


	Government Bureau (1956) by George Tooker


	Painter's Folly (1989) by Andrew Wyeth


	Resting Somnambulist IV (1930) by Pyke Koch


	Sol de domingo (1941) by Antonio Berni


		The Subway (1950)


	Shadows (1965) by Paul Delvaux


		Crew (1941) by Jared French